Jack Conway | Biography, Director, Movies, & Facts | Britannica (2025)

American film director

printPrint

Please select which sections you would like to print:

verifiedCite

While every effort has been made to follow citation style rules, there may be some discrepancies.Please refer to the appropriate style manual or other sources if you have any questions.

Select Citation Style

Feedback

Thank you for your feedback

Our editors will review what you’ve submitted and determine whether to revise the article.

External Websites

Also known as: Hugh Ryan Conway

Written by

Michael Barson Michael Barson is the author of more than a dozen books that examine various facets of American popular culture in the 20th century, about which he has been interviewed by National Public Radio on several...

Michael Barson

Fact-checked by

The Editors of Encyclopaedia Britannica Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree. They write new content and verify and edit content received from contributors.

The Editors of Encyclopaedia Britannica

Article History

Quick Facts

Original name:
Hugh Ryan Conway
Born:
July 17, 1887, Graceville, Minnesota, U.S.
Died:
October 11, 1952, Pacific Palisades, California (aged 65)
Notable Works:
“A Tale of Two Cities”
“Boom Town”
“Dragon Seed”
“High Barbaree”
“Lady of the Tropics”
“Libeled Lady”
“One New York Night”
“Red-Headed Woman”
“Saratoga”
“The Easiest Way”
“The Gay Bride”
“Too Hot to Handle”
“Viva Villa!”

See all related content

Jack Conway (born July 17, 1887, Graceville, Minnesota, U.S.—died October 11, 1952, Pacific Palisades, California) was an American filmmaker who worked primarily for Metro-Goldwyn-Mayer (MGM), where he became known as a reliable and efficient director.

(Read Martin Scorsese’s Britannica essay on film preservation.)

Early work

Conway was a high-school dropout and worked as a railroad labourer before pursuing an acting career. In 1908 he appeared in the first of more than 80 short movies, and he later acted in several feature-length films, including Macbeth (1916). During this time, Conway also began directing, and his first assignment was the short film Her Indian Hero (1912).

In 1913 Conway directed his first feature-length film, The Old Armchair, and by 1917 he was making as many as eight movies a year. Conway worked for a number of studios before joining MGM in 1926. His early notable credits included Brown of Harvard (1926), a well-reviewed film about college life; Bringing Up Father (1928); and While the City Sleeps (1928), a gangster drama starring Lon Chaney. In 1928 Conway made MGM’s first sound picture, Alias Jimmy Valentine, with William Haines and Lionel Barrymore. The following year he directed Joan Crawford in Our Modern Maidens, the actress’s last silent film, and Untamed (1929), her first talkie.

In 1930 Conway had the distinction of directing Chaney in his last film and only talkie, a remake of Tod Browning’s The Unholy Three (1925). New Moon (1930) was a rare musical for Conway, a teaming of opera stars Grace Moore and Lawrence Tibbett. In 1931 he directed The Easiest Way, a romantic melodrama starring Constance Bennett and Robert Montgomery, and the comedy Just a Gigolo.

Heyday of the 1930s

Conway began to hit his stride in 1932, making Arsène Lupin, with Lionel and John Barrymore, and But the Flesh Is Weak, with Montgomery. The hit comedy Red-Headed Woman (1932), featuring a provocative pre-Code script by Anita Loos, established Jean Harlow as a star. Conway again worked with the actress on the popular The Girl from Missouri (1934). His success continued with Viva Villa! (1934), starring Wallace Beery as the legendary revolutionary Pancho Villa. Conway inherited the biopic after Howard Hawks was fired, and both the film and Ben Hecht’s screenplay were nominated for Academy Awards. The Gay Bride (1934) was a disappointment, despite the presence of Carole Lombard, but the comedy One New York Night (1935) received generally positive reviews.

In 1935 Conway made arguably his finest film, A Tale of Two Cities, an adaptation of Charles Dickens’s classic novel. The lavish David O. Selznick production featured Ronald Colman as the heroic Sydney Carton, Basil Rathbone as the aristocrat Marquis St. Evrémonde, and Blanche Yurka as the villainous Madame Defarge. Libeled Lady (1936) was one of the best comedies of the decade, a cleverly plotted romp with Harlow, Spencer Tracy, William Powell, and Myrna Loy all in peak form. It received an Oscar nomination for best picture, and Conway was praised for his agile direction.

Jack Conway | Biography, Director, Movies, & Facts | Britannica (2)

Are you a student?

Get a special academic rate on Britannica Premium.

Subscribe

Conway directed Harlow again in Saratoga (1937) with less-happy results; she died before filming was completed, and stand-ins were required in order to finish the production. Her sudden death cast a pall over the racetrack comedy and its notable merits, including fine performances by Clark Gable, Walter Pidgeon, and Lionel Barrymore. After the enjoyable A Yank at Oxford (1938), Conway reteamed with Gable and Pidgeon on Too Hot to Handle (1938), a first-rate romantic adventure, with the actors portraying rival newsreel photographers. The musical Let Freedom Ring (1939) sets a newspaper owner (Nelson Eddy) against a ruthless railroad magnate, while Lady of the Tropics (1939) was a light romance starring Robert Taylor and Hedy Lamarr.

The 1940s

In 1940 Conway had a major box-office success with the lively Boom Town, which chronicles two oilmen (Gable and Tracy) as they compete in business and romance; Lamarr and Claudette Colbert also starred in the drama. Conway had another hit with Love Crazy (1941), a deft comedy about a couple (Powell and Loy) whose marriage becomes strained after the wife’s mother comes for a visit. Honky Tonk (1941) cast Gable as a gambler romancing a judge’s daughter (Lana Turner), and Powell and Lamarr played newlyweds whose marriage is threatened by a blackmailer in the suspenseful Crossroads (1942). After the forgettable Assignment in Brittany (1943), Conway helmed Dragon Seed (1944), an adaptation of Pearl S. Buck’s novel, with Katharine Hepburn miscast as the Chinese heroine repelling Japanese invaders.

High Barbaree paired Van Johnson and June Allyson in a standard wartime romance, but The Hucksters (both 1947) was a satirical drama in which Gable starred as a no-nonsense advertising executive, with Deborah Kerr as his object of desire and Sydney Greenstreet as a loathsome client. Finally, there was Julia Misbehaves (1948), a playful comedy with Pidgeon and Greer Garson as the bickering parents of a bride-to-be (Elizabeth Taylor). Conway, who suffered from illness in the last years of his life, subsequently retired from directing.

Conway was a classic example of a talented director whose efforts were subsumed by the studio system. That system—perfected by MGM executive Irving Thalberg, who ostensibly was Conway’s boss—viewed filmmaking as a kind of production-line work, in which efficiencies were achieved by reining in directors and adhering to strict schedules and budgets. Conway was a capable worker, delivering films on time and without cost overruns, and although his movies were not noted for innovation or a distinctive style, they were solid productions, often featuring the studio’s leading stars.

Michael Barson The Editors of Encyclopaedia Britannica
Jack Conway | Biography, Director, Movies, & Facts | Britannica (2025)

References

Top Articles
Latest Posts
Recommended Articles
Article information

Author: Otha Schamberger

Last Updated:

Views: 6399

Rating: 4.4 / 5 (75 voted)

Reviews: 90% of readers found this page helpful

Author information

Name: Otha Schamberger

Birthday: 1999-08-15

Address: Suite 490 606 Hammes Ferry, Carterhaven, IL 62290

Phone: +8557035444877

Job: Forward IT Agent

Hobby: Fishing, Flying, Jewelry making, Digital arts, Sand art, Parkour, tabletop games

Introduction: My name is Otha Schamberger, I am a vast, good, healthy, cheerful, energetic, gorgeous, magnificent person who loves writing and wants to share my knowledge and understanding with you.